On this course you will usually be taught by a range of staff with relevant expertise and knowledge appropriate to the content of the unit. This will include senior academic staff, qualified professional practitioners, demonstrators, technicians and research students. You will also benefit from regular guest lectures from industry.
- Sound Design & Theory: An introduction to specific sound design techniques. You'll develop a critical understanding of theoretical causes alongside you production work, gain an understanding of industry-standard technology for sound production and post-production environments.
- Narrative Constructions: Establishing a social, cultural and intellectual context for production work on the course, in combination with the other practical and professional skills taught, this unit offers a critical foundation for the effective realisation of production work. You'll collectively engage with narrative theory in a critical and analytical forum.
- Extended Sound Design Project: Develop your understanding of a range of film and television genres. You'll engage in the development, planning and execution of a complex production project, while expanding the skills and knowledge you gained in the Sound Design & Theory unit.
- Professional Practice: An introduction to key concepts, skills and knowledge you'll need for employment in the media industries.
Option units (choose one)*
- Master's Production Project: You'll develop a significant production-based project. The specific nature and duration of this will be decided through a discussion with your appointed tutor. You'll encounter a range of learning and teaching methods, including individual tutorials with an academic tutor and seminars to share approaches and project development.
- Master's Research Project: You can produce a practice-based research artefact supported by a written analysis, or an individually or collaboratively written paper. The latter consists of a written investigation into an aspect of practice, supported by media artefacts. Both of these will be the basis of a presentation of research findings at a final exhibition.
*Please note that option units require minimum numbers in order to run and may only be available on a semester by semester basis. They may also change from year to year.
You'll gain basic skills in post-production sound work. This includes:
- Dialogue editing
- Sound effects editing
- Music editing
- Voice and sound effects recording
- Location sound recording
- Track laying
You'll also learn about the aesthetics of sound and film. This includes:
- How the two affect each other and work together
- How to use sound effectively in a film
- How to communicate with directors
- How to make judgements about film sound.
You'll create integrated sound tracks for different types of film including animation, drama and documentary. These are all included in your coursework and encouraged in extra-curricular collaborations.
Programme specifications provide definitive records of the University's taught degrees in line with Quality Assurance Agency requirements. Every taught course leading to a BU Award has a programme specification which describes its aims, structure, content and learning outcomes, plus the teaching, learning and assessment methods used.
Download the programme specification for Sound Design for Film and Television.
Whilst every effort is made to ensure the accuracy of the programme specification, the information is liable to change to take advantage of exciting new approaches to teaching and learning as well as developments in industry. If you have been unable to locate the programme specification for the course you are interested in, it will be available as soon as the latest version is ready. Alternatively please contact us for assistance.
Background and experience
For MA Sound Design for Film and Television we are looking for applicants who:
- Enjoy working with other people
- Can do more than one thing at once
- Are flexible with time and energy levels
- Are creative and enthusiastic
- Can adapt to varying demands/workloads.
We’ll be selecting the candidates for this course by looking at their applications and show-reels and then asking suitable applicants to attend an interview.
Your show-reel should demonstrate some engagement with moving image from the sound perspective. This could include an independent short film to which you provided the sound or re-worked a soundtrack for a feature film section.
You will need to attach your show-reel to your online application when required and if selected to attend an interview you will also be asked to bring a hard copy of your show-reel.
At the interview, you will be marked on the following criteria:
- Potential for further development
- Understanding of the role of sound
- Portfolio of practical engagement with sound
- Interest in film /television or interactive media
- Collaborative potential
- Capacity for Master's level inquiry.
International students will be interviewed over Skype.
For more information, take a look at our postgraduate how to apply pages.
Full entry requirements
The normal requirements for embarking upon a postgraduate taught degree are:
- A Bachelors Honours degree 2:1 or above or equivalent in a subject related to music, sound or media production.
- In some cases industry experience may compensate for the omission of this qualification.
- A portfolio or show reel demonstrating an engagement with the moving image from the perspective of sound is part of the selection process.
- Applicants are encouraged to provide details of relevant work experience.
- Applicants will also normally be expected to attend an interview.
International entry requirements
If English is not your first language, you will need to provide evidence that you can understand English to a satisfactory level. English language requirements for this course are normally:
- IELTS (Academic) 6.5 with minimum 6.0 in each component or equivalent.
View further information about our English language requirements.
A number of pre-sessional English and preparatory programmes are offered through our partner institution, Bournemouth University International College, and will get you ready for study at BU at the appropriate level.
You can also find further details of the international qualifications we accept, and what level of study they apply to, on our study postgraduate entry requirements page.
Our graduates are highly sought after in the film and TV sector. This course has been awarded accreditation by the International Moving Image Society (IMIS) in recognition of its professionalism and industry relevance in moving image education and training. Some of our alumni have worked on high-profile projects, such as the video game LittleBigPlanet, and with well-known TV channels such as Discovery, Disney Interactive and DC Comics*.
Sound Design for Film and Television graduates are now undertaking roles such as:
- Audio directors
- Sound designers
- Sound engineers.
Industries worked in
- Video games.
If you want to continue your studies after achieving your Master's, you can look into our range of doctoral programmes.
*All information shown has been taken from Destination of Leavers from Higher Education (DLHE) or BU institutional data unless otherwise stated.
Our staff are actively engaged in research and professional practice in the sound design sector which is integrated into the teaching of this course. Find out more about some of the staff and their research activities who will be teaching on this course below.
Maike Helmers joined Bournemouth University's Media School in 1997 where she is now a Senior Lecturer in Sound Design and Editing.
Prior to joining BU, Maike worked in the film cutting rooms of the British Broadcasting Corporation's Film Department, where she was trained to become an Editor. She has worked across a wide range of the BBC's programme output from Drama & Docs to Current Affairs and Arts programmes.
During her career with the BBC, Maike experienced the changing worlds of 16mm / 35mm film gauges, transversed the dark side of the cutting room moon in the guise of the linear tape edit suites of the early 1990s, to emerge blinking into the early brightness of non-linear packages such as Lightworks. She also gained experience using Avid, Soundscape & ProTools.
Maike's PhD / MPhil research is centred on early German sound film. She has published several articles and reviews related to her specialist area in both The Soundtrack as well as The New Soundtrack journals.
Hear from our graduates
"My experience at Bournemouth was incredible! To this day I find myself relying on skills that I developed during my time on the course. Along with software programmes and technical skills, I was taught the theory behind sound design, why it is we do the things we do! Having this knowledge pushes you past the surface of post sound, and into the creativity realm that makes for an excellent collaborator in film, television, and multi-media.
Since my time at Bournemouth, I have worked freelance as a sound designer on programmes for WETV, A&E, Discovery, Disney Interactive, DC Comics, and many independent features and projects. I have also branched out into video editing and received my Final Cut Pro Certification as a result of my exposure to other post-production disciplines while at Bournemouth."
Rob Bridgett, Senior Audio Director, Activision Blizzard
"The MA course at Bournemouth was a crucial stepping stone for me into the professional world of sound design and audio direction. Without the open and collaborative approach with filmmakers and animation students, it is unlikely I would have succeeded at all in the highly competitive world of sound. I not only found world-class practical and technological skills as a bedrock on the MA, but also, and for me more importantly, a focus on how to think about and make decisions regarding the aesthetic direction and meaning of sound in visual media."
Dr Randall Barnes
"Bournemouth's course in sound deepened my fascination with film sound history, theory and practice, so much so I was encouraged to complete a PhD in film sound there. Both courses not only prepared me with the knowledge necessary for approaching sound creatively, but they also gave me the practical skills needed for collaborating effectively with filmmakers. Since graduating, I've worked as a freelance sound designer, boom operator and mixer on five full-length features and four short films."
"The Sound Design MA proved to be an invaluable resource to my career progression as it supplied me with an excellent mixture of both academic study and vital practical skills to create a career in audio post-production. I was shortlisted in the 'Best Sound Design' category at the British Animation Awards for collaborative work I undertook while at Bournemouth. This would not have been possible without the guidance and expertise of the lecturers on the course and their true passion for all things audio.
Since graduating I have worked on some fantastic theatre productions, independent films and documentaries. The course is a hard full-time body of work that requires strong dedication but what you will get out of it will be indispensable to your career."
Andreas Brandrup Elkjaer
"I became an independent film producer and consultant, and founded my own company, INSP! Media. My experience of the MA Sound Design course was overall positive. I gained advanced skills in the use of Pro Tools through practice, and although I came from a BA in Film and Media Studies, most of the theoretical part of the course was new knowledge to me. As an all-round producer, the sound production course gave me a strong focus on the importance of sound in audiovisual communication which makes my products stand out in the crowd."